Tatu Metsätähti & Olli Hänninen – Repullinen Skittejä
6.17.22 by Matty McPherson
Okay let’s start at the end — well really side B of this tape. Okay, okay fine. First we can at least acknowledge these syllabic names. Tatu Metsätähti (Mesak) is a Finish producer that sometimes runs the “skweee” inflected Harmönia sub label — no, they don’t update their MySpace or Facebook anymore and both are down for good it seems. Metsätähti also (over the past twenty odd years) occasionally has pushed releases of all sorts of sizes out on Huge Bass, the parent label. And yes, they do have a functioning Bandcamp page. Through all of this, Olli Hänninen has been a reliable contributor within Metsätähti’s orbit. Hänninen himself has been in a variety of Finnish anachro-crust outfits–Church of Nihil, Confirmed Kill, Hate Unit. If like me, your answer to this news is “who are three bands that have never been in my kitchen,” well you’d probably be correct. They’re old school 90s and early 00s stuff; Hänninen’s more likely to be found making skweee or oddball electronics under the Claws Costeau moniker. Rare is the release under his actual name.
Look, you already made me drop an expository paragraph, I’d really like to talk about that side B! Oh yeah, the tape did get imported through Cudighi Records, the Los Angeles label that keeps sending us tapes and keeps making me go “damn! these guys are REALLY good at importing sounds that wouldn’t make it to America otherwise.” And because they don’t really play to one sound, just a conscious “anyone could be making noise anywhere” approach, we end up with a roster that tickles between easy listening and Repullinen Skittejä — the latter being top shelf Eastern-European black portal noise magic.
If you’d just let me talk about that side B, I can enlighten you abo-oh yeah they DID list all their gear — instruments, effects, customs, ephemera — on both the tape and Bandcamp. I was personally flabbergasted, because side A… well that’s more the R&D side of the tape. Realm brief vocal snippets, buggy lo-fi hip hop, vague ambient, and uhh that OPE track that sorta has a German Army thing going on; minimal synth funk always welcomed. Side A is for the grinders, the people who love deciphering gear lists, listening to a proof of concept, and trying to piece it all together in their brains. Mikä Sapiens…*, the side closer, may only be 2:18, but it does feel like a culmination of the side. It shifts on a dime towards austere zones without people after its skweee inflections drop halfway through. It’s a set-up for side B.
SPEAKING OF, Side B is totally consumed by the near-23 minutes of Deep Finlandia. And coming after Side A, THIS has the feeling of white hot UFOs and bombed out metro tunnels. For the duo, it’s a deeper plane of listening, often riding out the crevices of one bass-driven drone and ethereal feedback. It could be steamy or claustrophobic all based on the volume knob’s tuning. Around the fifteen minute mark, the digital feedback discombobulates, becoming crunchier and further untethered. Its unsettling patterns and feedback loops could be the soundscape for a free-jazz ensemble, but the duo are not privy to that bound. The atmosphere here is vacuum sealed. Anti-dance? Sorta. Smidgens of piston-esque percussion gnarls and lashes in the mix. Wicked fun? Enticingly so. It’s a journey worth going down with this duo and their endless array of gear. Seriously, look at these guys and their gear! I wanna have a demolition derby with ‘em or something.
Limited Edition Pro-dubbed cassette with 4-panel J-card available at the Cudighi Records and Huge Bass Bandcamps.