Tabs Out | JESSOP&CO. – Cream

JESSOP&CO. – Cream
6.26.17 by Ryan Masteller

jessop&co

JESSOP&CO., our mates – MATES – from Calcutta, bring the noise once again with “Cream,” a two-track, one-track-per-side flabbergast of densely layered drone and field-recorded freak samples on SØVN. Yeah I used “flabbergast” as a noun, so what? That’s what JESSOP&CO. do to me, make me throw all the rules I’ve ever known about the English language out the window. I wigged out over “Manly Man,” and at some point there will be a link to the equally nastified “A Perfect Example Of Disloding” (it’ll post, honest), but CREAM is another beast altogether. Sure, SØVN refers to Eraserhead, Lynch’s debut film and paean to anxiety, and the label’s not talking out of one of its pneumatic tubes connecting to the mailroom. “Dead Hair” is so creepy and so tactile that it’s almost touchable, but you mustn’t touch, because it will damage any soft tissue it comes in contact with. Consider that my warning to you. Consider also that you can’t literally touch sound, so you’re probably perfectly safe around it. But it’s still a wacky trip, man!

Imagine going from Eraserhead to something much more pleasant, like “Flower Hung,” a beautiful droning vision that meanders in and out of various hypnotic states, bordering on dream logic and vivid hypnogogia. It’s like the Lady in the Radiator melted in slow motion and turned into all the pastel colors of a sunset before dispersing her molecules over wide swaths of the earth. If that don’t get you going, try this: “Flower Hung” makes David Lynch look like an IDIOT for even TRYING to do anything remotely interesting with sound design in ERASERHEAD! … Haha, OK, not really, but it really is a wondrous cloud of sentient pollen infiltrating the cilia of our lungs in an attempt to make us feel a little better about ourselves after “Dead Hair.” Maybe it’s the close proximity of the two disparate experiments that acutely sets into relief their finer points. That’s probably it.

“Cream” is limited to 40 copies, and comes in a plastic bag with a sticker and a slip of paper that looks sort of like a packing slip, sort of like a prescription. But a prescription for what? What am I, a doctor? YOU read the instructions. YOU figure it out.

Tabs Out | RM Francis – Hyperplastic Other

RM Francis – Hyperplastic Other
6.25.17 by Mike Haley

20170625_094518

I’m horrified of automation. All of us should be! At best I give it 69 months before machines handle every function in society and decide to melt us hu-mans down for fuel. In the meantime I still use the self check out at the grocery store, so sure, I’m a hypocrite. But maybe I don’t want to be judged for buying a Party Sized bag of habanero-pickle flavored chips. Well, it turns out the good ol’ self check out isn’t even a safe space for gluttonous purchases anymore, because now even the machines are judging us. At least that’s what it sounds like is happening on this RM Francis cassette.

“Hyperplastic Other” is a series of binary barbs, converted into MIDI blips and snips that sound like attempts at putting the toothpaste back into the tube, tumbling through the internet of things. This is apparently the best way for your Nest thermostat to talk shit on you with the neighbors SmartFridge™. We bags of organic mess hear “zip.. ziiiiip. zipblipblap bloop. ting. vyoooom” but those super gossipy appliances are actually making fun of me needing to run the AC at the slightest sign of humidity – My hair gets puffy, give me a break! RM Francis goes into detail about the creation process of these rolling sounds in the liner notes on the Jcard: “Hyperplastic Other was composed largely using a two dimensional array of 17,040 computer-generated values between 0 and 1, which was divided into 71 parametric paths. The array values were scaled and converted to MIDI messages; the paths were arbitrarily assigned to individual parameters of……” but all I hear when I read that is “zip.. ziiiiip. zipblipblap bloop. ting. vyoooom.” And that’s okay. I don’t think RM Francis will be the least bit concerned if you decide to approach these recordings appreciating the science behind the glitch or simply for the glitch itself. Hell, there was a chocolate cassette version of this! INDULGE! You’re vacuum is going to look down on you either way.

Grab one of the 100 non-chocolate copies of “Hyperplastic Other” from Nada’s Bandcamp, which is probably sentient at this point and already knows you want one.