Tabs Out | Forget the Times – Winter Haven

Forget the Times – Winter Haven
1.8.19 by Ryan Masteller

Forget the Times is dangerous. Sure, their freeform skronk is as serrated and jagged and explosive as it gets, and the “collective” happens to employ one of their own for “guitar processing” (Josh Miller; core dudes Sean Hartman on guitar/tenor sax and Andrew Buczek on drums round out the band on this release), so you know it’s going to be at least a little noisy, a little unpredictable, a little perilous. Listen at your own risk kind of stuff. It’s up to you to chance it.

But Forget the Times is also sneaky, dropping a little botany lesson on us as they whip themselves into a frenzy over two long tracks, one per side, improvised to within an inch of chaotic self-destruction. (I can’t stress this enough – this is the kind of energetic output that caused all those Spinal Tap drummers to spontaneously combust; I’d be careful if I were Forget the Times.) On “Nasturtium Blues,” they’re down about this little edible thing (because “blues” signifies that something’s got you down). Maybe one of them had a urinary tract infection and nasturtium wasn’t doing it for them? Those infections are painful – I don’t blame anybody for savagely jamming for seventeen minutes because they were pissed at how bad one of them hurt. (Oops, shouldn’t say “piss” in this situation I guess!)

“Bergamot Swirl” is a psychedelic examination of the bergamot orange, a green, Ionian Sea lime-looking number that “tastes less sour than a lemon, but more bitter than a grapefruit.” First, I thought oranges were orange, so can someone clear that up please? Second, I like lemons and grapefruits, so I’ll be sure to try one of these when I can. Anybody brewing IPAs or anything with bergamots? Mixing them into smoothies? “Bergamot Swirl” is the sonic equivalent of the results of chugging a bergamot smoothie on a dare.

See? Dangerous: Forget the Times wants us to eat our fruits and our vegetables. And how’s Big Sugar gonna take that? Not sitting down, that’s for sure not how.

Avoid scurvy this wither over at NULL|Z0NE as they maintain some kind of healthy eating propaganda machine through sound. Edition of 50!

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Tabs Out | Dechirico – Please Don’t Let the Universe End Just Yet

Dechirico – Please Don’t Let the Universe End Just Yet
1.7.19 by Ryan Masteller

This is the exact body of the email I wrote to my congressman just a couple of months ago:

Dear Congressman:

Please don’t let the universe end just yet.


How in the world did Dechirico know? How could there possibly have been overlap? Did Dechirico have access to my emails? Did I forget to properly password-protect my server? This could be a big deal – there’s been a lot of talk lately about the importance of emails and server safety. I don’t want to go to prison or anything.

Also in my email:

Dear Congressman:

Do you like krautrock? If you listened to some krautrock, maybe you’d mellow out a little bit.


… You’re seeing this too, right? I’m not going crazy? Look, we live in some strange times, but this is a little too close to the mark for my liking. How does Dechirico know I dig krautrock to such a degree that I’d risk making a fool of myself in front of my own congressman? And it’s true: I listen to Neu! an awful lot. Tangerine Dream. The old Vangelis stuff. Kraftwerk, duh. And Dechirico loves all these bands too, you can totally tell. Gleaming metallic rhythms, futuristic synthesizers, beauty in repetition. But there’s something about “Universe” that’s different, something fundamental that sets it apart …

It’s humanness.

That’s right, Dechirico has blood pumping in actual veins that lead to an actual heart; lungs inhale oxygen and exhale carbon monoxide. There’s a brain in which synapses fire instructions to various body parts. Chances are that Dechirico is either eating, sleeping, or taking a dump right at this very moment. Now THAT’S human. So instead of passionless robots, we’ve got a pulse, an emotive center in a being that cares just enough that it requests of someone, something to allow the universe to exist for just a little while longer. Maybe there’s something Dechirico has to do, or something Dechirico has to tell someone. At any rate, we can thank Dechirico for addressing this important question, putting it in writing, in song, right out there for anyone to heed.

Now, if someone could only reach the cold steel mechanism my congressman calls a heart, that would be great.

Grippity grip this tippity tip [tape] from Bonding Tapes!

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Tabs Out | Episode #137


Jay Glass Dubs - Earth 2² split w/ Bokeh Edwards (Origin Peoples)
Modal Zork - Oba Goba of Gort Nork (Bumpy)
Dinosaur on Fire - Populous Romantique (Ghost Diamond)
United Power Soul ‎– Moving Fast 4 U (Zaftig)
Hour - Anemone Red (Lily Tapes and Discs)
Anthony Janas - Lucifer, Scooby-Doo, and Me (Nihilist)
Hairbrushing - Two Broken Mirrors and Thirty​-​One Open Windows (Obsolete Staircases)
Dotson - De:termination (Already Dead)
Timothy Fife - Hoichi The Earless (Lighten Up Sounds)
Aidan Baker - Deer Park (Muzan Editions)
Phoned Nil Trio - Gets Nasty (Orb Tapes)
Denseland - Disco Dictionary (Arbitrary)

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Tabs Out | The Last Ambient Hero – Under the Same Sky

The Last Ambient Hero – Under the Same Sky
1.4.19 by Ryan Masteller

Armed with superior skill, our hero returns – The Last Ambient Hero, a superbeing gifted with the ability to create the densest and most intricate ambient soundscapes humanity has ever heard. Deploying “Under the Same Sky” from a hidden base in Manchester, England, the LAH seeks to defeat the crushing evil of indifference, the vast villainy of boredom, the insidious machinations of only-half-paying-attention. How, you say, can only one person fight the good fight against the wickedness of subpar ambient music? How can a single entity pry the attention of world’s masses from EDM and Mariah Carey? The Last Ambient Hero has a secret weapon in his toolbelt: tape loops.

Employing this newfound technique over the length of an EP, the LAH blankets the earth with magnetic rain, coating the planet with a calming atmosphere of soft drones and gently shifting synthesizer patches. Thus the population falls under a benevolent trance, drifting through existence encased pleasantly in a vaporous cocoon of tone. We are all “Under the Same Sky,” as it were, no longer influenced by gritty or agitating music, no longer staring blankly into the depths of Muzak hell. I think we’ll have to call this newfound utility of the LAH’s a success – I’m certainly having a better day because of the great work of the Last Ambient Hero.

“Under the Same Sky” is available in an edition of 20 from the Hero’s own Bandcamp page.

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Tabs Out | SqrtSigil – Lost In

SqrtSigil – Lost In
1.4.19 by Ryan Masteller

I wrote a story where small synthetic animals scurried across the floor of a digital jungle, foraging, rummaging, hiding from predators, generally doing things normal small animals do on a jungle floor except these ones weren’t real. SqrtSigil helped me out, helped me to visualize whatever the heck was nagging me about these creatures, providing the audio to my imagination and the universe these things lived in. I barely had to break a sweat with the text of the thing – the sounds did all the heavy lifting for me. In fact, I finished what I was writing just as “Lost In” came to a close, and as I looked at my computer screen, I was surprised to see the open Word document in front of me was as blank as a Tabs Out Podcast script! I had imagined the whole thing, even writing the whole thing. I was pretty embarrassed about it. Still am.

I’m definitely NOT embarrassed about allowing SqrtSigil the opportunity to take over my waking life for approximately forty minutes. The Polish artist’s synthesizer work burrows into your brain, like tiny critters burrowing into the fresh, moist loam of the jungle floor. There they work, sleep, play, eat, shit, procreate, and survive, just like SqrtSigil’s bustling, forever-active sound experiments. Like a demented NatGeo documentary score, “Lost In” fills in the sonic accoutrements of the action, ever-shifting as digital nature takes its course, its inhabitants’ codes executing and rewriting themselves as life unfolds. Tactile and fully present, “Lost In” is as fascinating to listen to as it is to participate in – that is, if you’re watching what I’m watching in my head, and you can’t help yourself but to start exploring that jungle too.

You better act fast if you want one of the 33 copies from Szara Reneta – there are only four left!

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Tabs Out | Linden Pomeroy & Nicholas Langley – Are We Not Drawn Onward to New Era

Linden Pomeroy & Nicholas Langley – Are We Not Drawn Onward to New Era
1.3.19 by Ryan Masteller

The answer is, no. But then again, if we really, truly consider the trajectory of society, if we squint very, very hard, it becomes clearer that we may, indeed, be inching toward that “new era.” A heretofore unrealized new era, an evolution toward utopian existence. A rejection of the damaging arc on which we’re spinning out of control. A glad embrace of reason and kindness and forgiveness that will truly push us forward as a species. A golden age of health and prosperity for all humankind.

Do I believe any of that? The answer is also, no.

Then why do Linden Pomeroy and Third Kind Records label head Nicholas Langley insist upon it? Perhaps it’s because the “new era” is simply different than the old, not necessarily better. It would explain the somewhat hesitant, distant tone they strike on “Are We Not Drawn Onward to New Era,” a collection of ten experimental ambient meditations that marks Third Kind Records’s final foray into releasing music until some-bloody-time in the (hopefully) near-future. Not to mention that side B plays side A in reverse, as if it’s a philosophical study in perspective and perception. And time manipulation. Time manipulation is certainly a part of it.

Through processed field recordings and hazy sonic constructions and downright poignant moments of clarity and cynicism and beauty (depending on where you’re standing), Pomeroy and Langley wipe the memory of 2018 with an emotive bang, a wire scrub to the brainpan that has us all pointing in a new direction, toward that “new era.” Could that “new era” be a more positive 2019, which leers at us provocatively from the other side of December 31? My guess: not remotely – I expect more of the goddamned same.

Oh well! We still have this awesome tape, “a red and white C74 with red shell print and cover art by Karen Constance” in an edition of forty. Nine left from the label!

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Tabs Out | New Batch – Personal Archives

New Batch – Personal Archives
12.27.18 by Ryan Masteller

A hundred and frickin twenty-seven releases in, Personal Archives should be the name on the tip of everyone’s tongue when you start talking about longevity in the tape scene. (Already Dead notwithstanding – we’ll get to them in a minute.) So why is it that I have to keep reminding you with these posts, huh? Shouldn’t you have this down by now? Bob Bucko Jr. curates a strong stable of interesting and inventive artists, cajoling them to record and collaborate and mix it up a little, have some fun, hitch a ride on the back of a garbage truck when no one’s looking. Live a little, why don’tcha. Read these first, though.


Cop Funeral – lo quality self-value
This is who I was talking about: Joshua Tabbia runs Already Dead, and Already Dead runs circles around the competition for sheer release volume. But that’s not why we’re here – Joshua also records as Cop Funeral, a melancholy drone project that gives heartache its ambient soundtrack. Just look at the two song titles here, one lengthy piece for each side of the tape: “she challenged everything I knew about being a miserable person” and “buyer’s remorse,” each one playing spoiler for Cop Funeral’s mood with words like “miserable” and “remorse.” Sure, there’s introspective qualities there, glimmers of hope even, maybe, but if you’re stuck in a rut, look no further than Cop Funeral’s work. Actually, “lo quality self-value” itself is pretty descriptive, and if I’m being honest, you really have to squint to see that hope glimmer. But still, we’re here for the challenge, and as usual, Cop Funeral makes the passage worthwhile.


James McKain – The Detectives
I’m WATCHING them, get it? No, sorry, no more Elvis Costello dad jokes today, I’m too tired. I’ve been on the beat, see, staking out joints and following up leads. Shaking down suspects. Getting to the bottom of mysteries. Peering menacingly out from under the brim of my fedora. That’s what I feel like I’ve been doing all day when listening to James McKain’s “The Detectives,” a cycle of mournful solo sax that will make you turn your collar up against the wind and rain as you walk under streetlamps at night. No good reviewer will avoid the word “noir” in their writeup, because the film noir street vibe pouring from McKain is unmistakable. Take this smattering of track titles, for instance: “Even Angels Burn Out,” “Mott Street Breakdown,” “Aces,” “Some Real Soprano Shit, Buddy,” and “Alley Cats.” You’re there, right? In the story? In your imagination? If you’re not, “The Detectives” will help you get there.


Michael Foster and Dane Rousay – Mail & Tool & Turmoil
“YOU manipulate this object!” “No, YOU do it!” I can only imagine the arguments between these two, neither of them wanting to use the wood block or the junky old shaker they found in their parents’ basement. Nothing remotely like this probably happened, but you never know – what we DO know is that objects were manipulated, and drums and saxophones were played. I’m gonna venture that friendships were, in fact, maintained. Foster and Rousay’s recordings here exhibit the utmost restraint as they explore the space between their playing and the instruments themselves, focusing solely on the mood of the room – which sometimes necessitates bursting into dank bebop, of course. I love it when that happens.


One More Final I Need You – A Plea
“You who build these altars now, to sacrifice these children, you must not do it anymore.” Thank you! I was waiting for someone to say that, because it’s getting pretty ridiculous, people dying for ridiculous reasons (everybody’s somebody’s child). “A Plea” pleads (because that’s what pleas do) for sanity, all while illustrating the insanity we need the sanity to replace. Taylor Campbell (guitar), Landon Deaton (drums), PA label head Bob Bucko Jr. (tenor sax), and Eli Smith (laptop, electronics) pool their resources for their release as One More Final I Need You, colliding their combined expertise to explode out two live improv sessions. Their manic energy is infectious, and invigorating, even as they plow through tunes titled “Wrong Longings” and “A Child’s Body.” Obviously, OMFINY retains some dead-centered and rigid seriousness as they flail without abandon, playing off each other with intense glee. THAT’S the way you deliver a message.

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Tabs Out | Top 200 Tapes of 2018

Top 200 Tapes of 2018
12.17.18 by Tabs Out Crew

“Winter is going to come.”

We’re all familiar with that iconic line from Game of Thrones, when Frank Throne warns all of the princesses, dragons, and Merlins that it is going to be cold soon. A warning from old Frank was needed because reliably with that coldness comes death – Death, and best of lists. Which is worse? No one knows. But Tabs Out is not special (maybe a little special?) so once again here is our completely not ridiculous, categorically decisive, and oddly erotic(?) TOP 200 TAPES OF 2018!!!!!1!!

We took the thousands (literally thousands) of friggin tapes you maniacs sent in over past year and ground them into a fine powder. We then snorted that powder to the dome in the basement of National Audio Company and visualized the list below. The list is not up for debate. It’s actually correct… Like, VERY correct.

Please be careful with it!


#1 V/A – Centennial (NNA)

It almost feels like cheating, calling NNA’s monster anniversary smash ‘Centennial’ the best tape of the year. I mean, how can you even stand spool-to-spool with this thing? It really is a Dream Team vs Argentina situation, but would also be cassette malpractice to not give it the top slot. I’m not risking my license over this. Need more information? We did a bonus episode on this one, folks.

#2 Krümel – Gravewave (Discrete Spectrum)
#3 M Sage – Astrolabe (Noumenal Loom)
#4 Bonnie Baxter – Ask Me How Satan Started (Hausu Mountain)
#5 Seth Graham – Gasp (Orange Milk)
#6 V/A – Fire-Toolz Interbeing Remix Vol. 1 (Suite 309)
#7 JPEGMAFIA – Veteran (Deathbomb Arc)
#8 Kupkă – Altered States (Very Deep Records)
#9 Modal Zork – Oba Gooba of Gort Nork (Bumpy)
#10 Matmos – On the Radio at Southend-on-Sea (Timesuck)
#11 Sharon Gel – Delicious Fish (Fractal Meat)
#12 V/A – These Carbon​-​Composite Poles Are Made For Walkin’ (Strategic Tape Reserve)
#13 Yves Malone – The Most Of What You Need Is All You’ll Ever Have (Third Kind Records)
#14 Brett Naucke – The Back Of The Garden (Unifactor)
#15 Quicksails – The Bright (Hausu Mountain)
#16 Itch Princess – Everyone’s A Doctor (Truly Bald)
#17 Marta SmiLga – Lunar Maria, Vol. 1 (Crash Symbols)
#18 poopdood – Dumpsterave (OJC)
#19 Mårble – Diego (Not Not Fun)
#20 Grant Evans – Ephemerals (Park 70)

Evans has produced two sidelong tracks, each a fifteen-minute slab of roiling, tactile noise. “Grave” recalls digging in the night, nefarious work, unholy activity – or maybe just dirty work, without the whole wicked connotation. Who’s to say? [read more]
#21 Crazy Bread – Vocoder Divorce (Astral Spirits)
#22 Budokan Boys – That’s How You Become a Clown (Tymbal Tapes)
#23 Oestergaards – Rötterna (Tape Lamour)
#24 Lee Noble – Ashenden (Muzan Editions)
#25 Adderall Canyonly – The Limits of All Known Ice (Lighten Up Sounds)
#26 German Army – Kowloon Walled City (Null Zone)

creepy, otherworldly electronics, anime rhythms, eerie ambience, and industrial shudders mark this paean to a weird, unnatural place. [read more]
#27 Gateway – The Dawn of the Civil Savage (Castle Bravo)
#28 Max Eilbacher ‎- Electronic Tape Music (self released)
#29 Charles Barabé – De La Fragilité (Astral Spirits)
#30 Soaplands – s/t (No Rent)
#31 Mike Dilloway – May Bale Paws (Alien Passengers)
#32 Fletcher Pratt – Dub Sessions Vol. 4 (Crash Symbols)
#33 MSHR – Phased Trance Constructions (Unifactor)
#34 Nick Hoffman – Baroque Classics (For Electronic Oscillators) (Pilgrim Talk)

One thing I am NOT crappin’ you negative about is this new “Baroque Classics (For Electronic Oscillators),” which is also something you can play your kids to promote healthy brain growth. Or your adults. Anybody, really [read more]
#35 Bending Spirits / Quicksails – split (Solid Melts)
#36 Arian Shafiee – Beauty Tuning (Hausu Mountain)
#37 Terlu – Big Bingo (Not Not Fun)
#38 Somnoroase Păsărele – auro[1] (OTA)
#39 Plastic Weather – s/t (self released)
#40 Meng Qi – Sidrolz (Obsolete Staircases)
#41 Cube – Wet Housing (Anathema Archive)
#42 Uton – Sax On, Sax Off (Eiderdown)
#43 Jardín – Butaca (Freaks)
#44 M Geddes Gengras – Hawaiki Tape (Umor Rex)
#45 Motion Sickness of Time Travel – The Circuit (Adversary)
#46 Giovanni Lami – Hysteresis V (Null Zone)
#47 EQ Why – Life of the Why (Third Kind Records)
#48 Mukqs – Slug Nut (Unifactor)
#49 Bridle – Forward Motion Plus Volume One (Hurt Collection)
#50 Tiger Village – The Argument (Patient Sounds)
#51 Mary Ocher – Faust Studio Sessions and Other Recordings (Related Records)
#52 Aether Jag – The Universal Veil (Hot Releases)
#53 Tadzio – The Complaint (Blight)
#54 Joe & Joe – s/t (Oxen)
#55 Machete USA & Song – s/t (Permanent Nostalgia)
#56 Lifestyle Pornography – Community Control (Hideous Seed)
#57 Southfacing / Ali Wade – split (Frequency Domain)
#58 OverScan – The Marriage of Violence and Desire (Muzan Editions)
#59 African Ghost Valley / Richard Frances – split (Elestial Sound)
#60 Shedding – Plod and Play Vol.2 (Obsolete Staircases)

An errant gravy of small to tall, softly hewed, and slightly rusty bells that make magic *pops* and deeeeep doooooown *plooooooms* with crypto precision. [read more]
#61 Gunther Valentine – Maine Redactions (Anathema Archive)
#62 Nick Hoffman – Salamander (Notice Recordings)
#63 Toon – Cudighi (Cudighi)
#64 Former Selves – Forgiveness Circles (Patient Sounds)
#65 More Eaze – a l4ngu4g3 (Tymbal Tapes)

“a l4ngu4g3” really focuses on words and their meaning, how repetition and alteration change one’s perspective on connotation. Well, at least the sound of words emanating from a human mouth. [read more]
#66 Matthew D. Gantt – Isomorphs (Oxtail)
#67 pal+ – Kinetic Dreams (OTA)
#68 Miho Hatori & Dave Harrington – Mondialite (Commend)
#69 Varsity Voltz – Academic Probation (self released)
#70 Alpha Mound – Dvahla (Tape Lamour)
#71 Carey – The Great Southeastern Dissatisfaction (Null Zone)
#72 Dere Moans – Future Deli (Bad Cake)
#73 Mahesa Almeida – A LT O/P A N (Hasana Editions)
#74 Proven Recordings – Dubs Vol. 1 (self released)
#75 Foolish Belief – Luck (Crippled Sounds)
#76 Nikmis – #17 (Third Kind Records)
#77 Andy Loebs – About Me (Terry Tapes)
#78 Shadows – Bruce Spills the Pills (Polar Envy)
#79 Dinosaur On Fire – Populous Romantique (Ghost Diamond)
#80 Bedroom – Moons (Fluere)
#81 Bill Nace / Twig Harper / John Olson– Live at No Response (No Response)
#82 Long Distance Poison – Knock Magh (Hausu Mountain)
#83 Farwarmth – Immeasurable Heaven (ACR)
#84 Rayphaze – Wobbler (((Cave)) Recordings)
#85 Cool Person – Good-Person (Permanent Nostalgia)
#86 Julian Abraham ‘Togar’ – Acoustic Analog Digitally Composed (Hasana Editions)
#87 Cavatus – The Celestial Extasis (self released)
#88 böhm – Transients (OTA)
#89 Bridges of Königsberg – Mendacity (4 GRE)
#90 Bromp Treb / Fritz Welch – split (Timesuck)
#91 Grant Evans – Vessel (Null Zone)
#92 memorygarden – district (Constellation Tatsu)
#93 Niedowierzanie – Lumière (Lighten Up Sounds)
#94 Riar Rizaldi – I Only Have Visions For You (Hasana Editions)
#95 V/A – Till Bertil Enstoring Vol.1 (Tape Lamour)
#96 Cartoon Forest – s/t (White Reeves Productions)

Dilloway devotees know this zone well — A haunting series of celiac cycles closing in on you. The feeling of wearing a bug’s shell. Cartoon Forest ooze right into those degenerative duties. [read more]
#97 Muyassar Kurdi & Nicholas Jozwiak – Intersections & Variations (Astral Spirits)
#98 August Traeger – The Harbinger (FTAM)
#99 The Fathers – Sound Advice (Tusco Embassy)
#100 Marsha Fisher – Doll Tape (Gay Hippie Vampire)
#101 Persona Black – Through the Black Sky (Ephem Aural)
#102 ML Wah – Big Air (Flower Room)
#103 Mukqs – 起き上がり(Doom Trip)
#104 Cinchel – A Sad Study in Temporal Dissonance (Patient Sounds)
#105 tape000 – chasing windows (OTA)
#106 Suko Pyramid and moduS ponY – Echolalia (Strategic Tape Reserve)
#107 Teuthis Galore – I Smell Voices (Lurker Bias)
#108 Individual Distortion / Bossbattle – split (Tandem)
#109 Seth Chrisman & Nathan McLaughlin – Earth Tones… Metal Show (Full Spectrum)
#110 Hakobune – Parhelion (Constellation Tatsu)
#111 Kyle Landstra – Within / Without (Muzan Editions)
#112 V/A – Compilation 001 (Norelco Mori Limited)
#113 Headlights – The Radio Plays (Unifactor)
#114 QBLA – So Far (Bonding)
#115 RXM Reality – Panic Cycle (Hausu Mountain)
#116 Man Made Hill – Fingertip (Pleasence)
#117 Sam Goldberg – Unto Others (Boudoir)
#118 Talc – Eye Idols (Impermanent)
#119 Ross Khmil – Suburban Lights (Hellscape Recordings)
#120 Energy ☆ – Energy ☆ (Galtta)

To call the music of duo Camilla Padgitt-Coles and Bryce Hackford effortless would be an utter understatement. Each tilde-y wave undulates frictionlessly out toward infinity, and would continue toward it if time constraints and the shortage of Chrome tape stock didn’t put a damper on the party. [read more]
#121 Kohl – Imposed Ethics (Umor Rex)
#122 Toasted Focus – Concrete Bleach (Baked Tapes)
#123 The Triangle Man – Majick (Bad Cake)
#124 Truth Decay – s/t (Castle Bravo)
#125 Sturqen / vÄäristymä – split (Nervu)
#126 Crazy Doberman – 2038 (Obsolete Staircases)
#127 Grant Evans – Ergot Dogs (Adversary)
#128 Emerging Industries of Wuppertal – Traditions from a… (Strategic Tape Reserve)
Emerging Industries of Wuppertal imagines a bleak future whose denizens study the cracks of human folly. There they assemble historical frameworks that they somehow beam back through time to EIOW so that EIOW can write these future events into sonic structures. [read more]
#129 Matthew Atkins – Porous Inner Montage (Minimal Resource Manipulation)
#130 Beast Flower Coiffeuse / Mossy Throats – split (Moon Myst Music)
#131 Dante Augustus Scarlatti – Dimensional Synthesis (Auris Apothecary)
#132 Nicholas Langley – Entropy Soundtracks & Ambients Volume 2 (Third Kind)
#133 Wet Garden – Deep in Earth (Null Zone)
#134 Space-Saver – Save Yrself (HIC)
#135 Sparkling Wide Pressure – Find a Frame (Park 70)
#136 Dotson – De/termination (Already Dead)

Everybody drives in LA, nobody walks, but Dotson’s rhythms skip like compact discs flung across macadam ponds. They jiggle and jut, lurch and bend, all while crisping in the digital fryer. [read more]
#137 Sunmoonstar / Euglossine – split (Moss Archive)
#138 Nature Camp – Dry Food Wet Food ($ucces$)
#139 Shedding – Wave to the Wind (Obsolete Staircases)
#140 Yama-No-Kami – Kakusareta (OTA)
#141 Christian Mirande – Property Line/Plunge Pool (Unifactor)
#142 Dere Moans – Brain Mountain Disciples (Orb Tapes)

Dere Moans whips together a crackling slurry of disparate source material into two sidelong slabs of constantly shifting sonic collage, at times smearing the atmosphere with gross digital brushstrokes while at others pinging breakneck impulses through the ionosphere. [read more]
#143 Noxroy – Protomontage (Kolo)
#144 MAbH – cinjusti (Tymbal Tapes)
#145 Yuto Ohashi – Juvenile – Insubtantial, Re-Present (Cudighi)
#146 Estlerot – Ciseaux (Herhalen)
#147 J. Soliday – Synth Tidings Vol.1 (Baked Tapes)
#148 R.M. Gellin – The Cutest Boy In Town (OJC)
#149 Beast Nest – A History of Sexual Violence (self released)
#150 2 Dads 2 Sons Emoji – Church Emoji (Gay Hippie Vampire)
#151 Erik Levander – Couesnon (Katuktu Collective)
#152 Tender Crust – The Earth’s Axis and Hare (Oxtail Recordings)
#153 Fischerle – Ptylotics (Spring Break Tapes!)
#154 Night Cleaner – Even (Geographic North)
#155 Grave Blankets – s/t (Flag Day)
#156 Ratkiller – Unapologetea​/​Forged Panoply (Cudighi)
#157 Perfect Jack – Gold Chain (OJC)
#158 Substrates – Lethean (self released)
#159 Tiger Village – Tact (Orange Milk)
#160 Peter Kris – Error Into the Sun (Never Anything)
#161 Tereshkova – Addendum: Raindbows (Audio. Visuals. Atmosphere.)
#162 Rambutan – Swerve Throgh Time (Null Zone)
#163 Unsustainable Social Condition – Pleasure Seaking Pacifist (Phage)
#164 Bus Gas / Amulets – split (Spring Break Tapes)

The music on this “companion release” (a great way to describe a split that uses two tapes instead of splitting sides on one) would certainly make two fine independent releases, but Spring Break Tapes knows a good thing when they hear one, and there is an undeniable synergy found in bringing Bus Gas and Amulets together within one double-tall Norelco case. [read more]
#165 Mod Exist – Caught in the Noise (Uncle Bob’s Records)
#166 Eave – s/t (Astral Spirits)
#167 Larry Wish – How More Can You Need? (Field Hymns)
#168 Félicia & Christina – Folded Galaxy (Commend)
#169 Pepper Mill Rondo – E.D.M. (Hausu Mountain)
#170 Saint Hewitt – Oblivescence (self released)
#171 Forest Management – Rotating Angle (Unifactor)
#172 Royallen – Found Tape (Permanent Nostalgia)
#173 Günter Schlienz – Liederbuch (Muzan Editions)

The tracks on “Liederbuch” follow Schlienz’s penchant for unobtrusive and dreamlike, cloud cushions of synthesizer melodies and hushed vocals piled together on the Milky Way, just ready for all the constellations to materialize into their actual forms and recline on the ethereal plane.  [read more]
#174 presidiomodelo / Machinefabriek – split (Tandem)
#175 Marlo Eggplant / Arvo Zylo – split (NO PART OF IT)
#176 Cryptonym – Automated Predation (Castle Bravo)
#177 Vierzig Skizzen – Travels in Public (Lily Tapes and Discs)
#178 CDX – All Night (Suite 309)
#179 I Am Just A Pupil – The White Album (Crash Symbols)
#180 James Fella + Steve Jansen / Tom Tom Thrasher – split (That’s Cool)
#181 The Tuesday Night Machines – Hawaiian Yurt Music (Strategic Tape Reserve)
#182 The Marx Trukker – Ease of the Bough (Magnetic Purely)
#183 Bary Center / Yorihisa Taura / Nicholas Langley / Chemiefaserwerk – Puzzle Time (Third Kind Records)
#184 Attenuated – Ideomotor (Space Slave)
#185 HCMJ – 의미 (Ghost Diamond)
#186 Meme Vivaldi – 420 Deluxe (Ingrown)
#187 Aviary – s/t (self released)
#188 Marcia Custer – Stacey’s Spacey (Unifactor)
#189 Sun.TV – Hyper Portal Terrorism (Shadowtrash Tape Group)
#190 Storyteller – The Stubborn Organic Emblem of… (AD AAD AT)
#191 Bob Bellerue – All In (Anarchymoon)
#192 Bary Center – Betrayal (Always Human)
#193 Sugar Pills Bone – Slack Babbath Plays Peep Durple (Orb)
#194 Celer + Forest Management – Landmarks (Constellation Tatsu)
#195 Wilted Woman – Trapezoid Tappers (Plastic Bags)
#196 Pajjama – Womb (Orange Milk)

 “Womb” is a technical beast, a massive hybrid of band interplay and digital fuckery that shifts as often as… I’m drawing a blank on something that shifts a lot. [read more]
#197 Clear Fluids – Music of the Spheres (Lighten Up Sounds)
#198 Dominic Coppola – Honeymoon Phase (Unifactor)
#199 Christopher Witley – Hecca Autre (Audio. Visuals. Atmosphere.)
#200 Mechanical Facade / Ratkiller – split (Cavern Brew)
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Tabs Out | Catching Up with Antiquated Future

Catching Up with Antiquated Future
12.13.18 by Ryan Masteller

PDX-based lo-fi tape label Antiquated Future has been around the block, let’s not kid ourselves. Initially begun in Olympia, Washington, around the turn of the century (if you consider 2008 the turn of the century, which I do – druid calendar, you know), AF has made quite the name for itself with not only its music releases but also its books, zines, and other assorted cool stuff you can find by digging around in their website a little bit. It’s like rummaging through a cool antique shop, but without the musty smell (which is either a good or a bad thing depending on whether you like the smell of antique shops).

But besides the fact that I’m a highly in-demand superstar editor and writer (ahem, here’s my card, email me, AF, ahem), we’re here for Antiquated Future’s music, specifically their two most recent cassette releases, Reighnbeau’s “Slight EP” and Tucker Theodore’s “LSG.” (And to prove my superstar-ness, I’ll tell you that “Reighnbeau” is not spelled correctly; it’s actually “Rainbow,” but of course that’s already taken, so.) Both tapes feature established vets: Bryce Hample’s Reighnbeau project adds Colleen Johnson (Flying Circles, Silver Shadows) and Madeline Johnston (the excellent Midwife [with Tucker Theodore – a link!], Sister Grotto), two singers who will, when combined, give promo proofreaders nightmares forever. Then there’s the prolific Mr. Theodore, known for his experimental guitar explorations. Looks like November was a good release month for Antiquated Future!


Reighnbeau – Slight EP
Slight, nothing; Reighnbeau’s a dense configuration, an opaque cloud of electrofolk goodness that shifts its shape from moment to moment. Hample’s production is top notch – the doors of my expectations have completely been blown of their hinges. I admit, I approached this tape with Midwife in my head, and while the head-down gauzy shoegaze thing is fantastic, this is straight digital candy, sugar rushes of electronics and pop flourishes that remain stuck to your ear canals long after the songs end. And the vocals – oh, the vocals. They’re gorgeous. Johnson and Johnston do a lot of heavy lifting in the melody department, their angelic presence hovering over the songs and elevating them to sheer euphoria. Dare I continue to listen long after the EP has begun to repeat? I dare – bellyache from ingesting too much of a good thing be damned.


Tucker Theodore – LSG
Theodore, who as I’ve noted also performs in Midwife with Madeline Johnston, is simply a guitar GENIUS (like that’s a surprise to anyone). Here on “LSG” he stretches out over ten “movements,” packed tightly together on each side of the tape, “Movements 1–6” on the A and “7–10” on the flip. He recorded everything by himself in his studio called “Inanambulancerecordings,” which has “now relocated to a hayloft in a barn in New Hampshire,” in case you’re wondering what to plug into your Google Maps. So consider that rural reclusiveness when you approach LSG, which meanders from solo guitar passages to, ahem, “full band” freakouts with relative ease, the feedback mixing with the half-speed acoustic Fahey-isms and ambient backmasking and effects-laden drifts. Packed away in that environment, Theodore was able to experiment as he pleased, and the result is a sheer post-rock cornucopia (if I may, considering Thanksgiving isn’t far in our rearview), scrabbling around every stylistic corner that designation has come to represent.

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Tabs Out | Keroaän – Pulsars in Rhombus Form

Keroaän – Pulsars in Rhombus Form
12.13.18 by Ryan Masteller

Magic! It’s when something mysteriously happens that we can’t pinpoint with our human brains, something so out of the ordinary that we ascribe to its occurrence a sense of awe and trepidation. Like when someone seemingly at random chooses our card out of a shuffled deck, or when someone teleports a rabbit into a hat with their mind, or when millions of emails disappear into the ether. Or maybe there’s no human element at all – maybe something just gets conjured out of thin air.

Take Keroaän, then, the project name used to release sound recordings of “Pulsars in Rhombus Form,” a processing and playback program developed by Ian M Fraser and Reed Evan Rosenberg. But rather than do any work, I’m going to simply wave my wand above these computer keys and POOF – a description I didn’t write appears!:

“Pulsars in Rhombus Form is a real-time generative music agent with two major components: a listener and a player.

“The listener takes as input and audio stream from the album Planisphærium by sci-fi technical death metal band Wormed (ES). It identifies kick and snare drum strikes as well as vocal phrasing and communicates its findings to the player in order to trigger gestural events and compositional shifts.

“The player consists of an 8-voice Max/MSP implementation of pulsar synthesis (Roads). It’s parameters are controlled by various chaotic maps and stochastic methods.

“The program performs with no human intervention whatsoever.”

Hey, wait a minute – that sounds more like SCIENCE than magic! Still, we get the “conjuring out of thin air” thing I alluded to above, but that whole backstory makes it all way less mysterious. Regardless, this thing is definitely fascinating – certainly as fascinating as sawing a lady in half or escaping from a locked safe perched atop a skyscraper. The cassette’s eight tracks sound NOTHING like Wormed (seriously, like not at all), instead taking on certain aspects of the band’s manic technicality and spitting it back out in some sort of rhythmic tornado. The sounds are like data blots spattered across a digital canvas, as if Autechre simply threw up their hands and let their harshest gear take over before transmitting the results via radio waves out into the solar system.

“Pulsars in Rhombus Form” comes in an edition of 50 from Minneapolis’s Nada Records. Summon your wallet from the next room and prepare to purchase without the use of phone or cable wires!

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